The first thing I noticed upon walking into The Big Top last Thursday night was how great everything sounded in what is normally an acoustically quirky and unpredictable room. One look at the stage explained everything, as front-and-center, relentlessly wailing on an electric guitar and crooning about how much he hates the south through a […]
Sun Hotel + Ava Luna + Narcissy performing at The Big Top on August 2, 2012
07.21: Vockah Redu & the Cru + Boyfriend – The Big Top
There is simply nothing on the planet like Vockah Redu. Though often falling under the radar of most New Orleans outsiders and local, casual showgoers, Vockah Redu and the Cru have been slowly but emphatically growing a fan base while existing on the fringes of Bounce itself for the last four years. Indeed, one will rarely find this act on the bill of one of the city’s many bounce showcases; they instead tend to opt for something decidedly less predictable.
Though the subversives behind local b-movie film aficionado group Terror Optics Studios and its off-shoot horrorcore label Sheer Terror Records aren’t the type one would expect to hear bragging about, or even taking serious notice of, any measure of success, it shouldn’t be any surprise that the ultra-DIY punk festival known as Creepy Fest has […]
06.03: Dummy Dumpster + Sports & Leisure + Glasgow – The Big Top
Anyone who has had the pleasure of witnessing the unbridled wackiness of Dummy Dumpster knows that the band’s absurdist exterior (vulgar, non sequitur subject matter against a tapestry of Germs-esque hardcore) thinly masks a bubbling talent for authenticity and a knack for genuinely engrossing songwriting that can only come from longevity. On Sunday, they meet up with two other bands from seemingly different corners of the New Orleans underground rock for the most eclectic lineup The Big Top’s Punk Rock Takeover matinee series has offered.
All People + Safety + Bomb the Music Industry! performing at the Big Top on March 29, 2012.
It’s a concept that has been applied many times throughout the past decade or so. The idea of “Sunday Matinees” – early evening, weekend ending concerts capable of catering to both the underaged-with-protective-parents crowd and the aging, late-night-avoidance crowd – has always been a well-intentioned, if not necessary, community-building exercise for New Orleans’ underground punk […]